European Children's
Film Association
Association Européenne du Cinéma
pour l'Enfance et la Jeunesse
She has turned 11 by now and her curly hair is gone. But Pippa Allen surely has kept her clever and sparkling charm that made her so irresistible playing Kiek in TAKING CHANCES, a film by Nicole van Kilsdonk. Continue reading “Film in the Focus: Nicole van Kilsdonk’s TAKING CHANCES”
In 1941 in Poltava, Ukraine, 3 young and gifted violin players swear a lifelong allegiance to each other’s friendship and to music. One of them is a German girl living in Ukraine, the other two are Jewish. As prodigies their future seems bright and shiny, until war closes in and things take a dramatic turn. Their musical talents can secure them for a while, until they face the final challenge: playing the perfect virtuoso concerto. “Perfection separates the strong from the weak,” the Nazi officer says. Continue reading “Interview with Alice Brauner (CCC Filmkunst), producer for WUNDERKINDER”
Cinekid, the International Film, Television and New Media Festival for Young People in Amsterdam celebrates its 25th anniversary. Over the last years with open mouth the entire industry gazed at the continuous growth of a festival that eagerly embraced not only children’s film but also television and new media. This course was steered by festival director Sannette Naeyé. Until last August a sudden alarm bell threatened to put a permanent ending to Cinekid’s growth. The Dutch government decided to stop funding Cinekid and in that way deprives the festival of 50 % of its income and casts a dark shadow over this jubilee edition. There were plenty of questions for Sannette Naeyé.
Continue reading “Interview with Sannette Naeyé, director of Cinekid Amsterdam”
One of the most eagerly awaited titles in this year’s Berlinale was TOTALLY TRUE LOVE by Anne Sewitsky (Norway). The story about first and / or true love strikes the eye for its original viewpoint and its drastic choices, and for a young director’s undeniable talent. Continue reading “Film in the Focus: Anne Sewitsky’s TOTALLY TRUE LOVE”
Now THE MAGICIANS, a father-and-son story with dazzling as well as clumsy conjuring acts started touring European festivals, Joram Lürsen is preparing his next feature: ALFIE THE WEREWOLF. “It’s about coming out of the close.” Continue reading “Interview with Joram Lürsen (THE MAGICIANS, ALFIE THE WEREWOLF)”
For 17 years, up till 2002, Renate Zylla was director of the Berlinale’s Kinderfilmfest. Then she broadened her horizon, taking out her talents to various Asian festivals. Nowadays working as a festival agent, she guarantees productions a perfect representation abroad. Who could have a better insight in the present-day children’s film festival landscape? Continue reading “Renate Zylla: “The festival landscape in North America and Asia evolves in a fast rate””
With PLODDY THE POLICE CAR MAKES A SPLASH Neofilm has a successful animated feature running in Norwegian theatres. But with ‘Pelle’ (Ploddy) as a well-known Norwegian hero in the title role, we asked producer Aage Aaberge what elements could be used to promote the film outside its home country? Continue reading “Interview with Producer Aage Aaberge (PLODDY THE POLICE CAR MAKES A SPLASH)”
“I’m not fed up with Karla. But her story is told now; I’m done with her.” While KARLA & JONAS is touring the festivals, director Charlotte Sachs Bostrup looks back upon the Karla trilogy. Continue reading “Interview with Charlotte Sachs Bostrup (the KARLA trilogy)”